Quantcast

New Latin beat

New Latin beat
By April Isaacs

Queens Theatre in the Park's annual Latino Cultural Festival, running for its 12th consecutive year, focuses on international icons and new voices, bringing rarely heard and U.S.-debut talent to the stage. While the festival's events encompass a broad range of musical styles, from salsa to flamenco, there is a heavy bent this year on the African influence in Latin American music.

Though most of the performances are live music, the festival also includes the film “Drangones: Destino de Fuego,” directed by Eduardo Shuldt; “Migrants,” a play by Puerto Rican company Pregones Theater; and a debut dance performance by the Mexican group “Camerino 4.”

Historically, the festival has strived to bridge the gap between generations, providing an array of Latin American performers from musical legends to current pop artists. Claudia Norman, who has been curating and directing the festival since 1999, has turned the annual event into a kind of stepping stone for artists who are well-known in Latin America to break into the U.S. consciousness.

“Throughout the years, the festival has become a platform for artists,” Norman said. “It's a place for taking risks … for bringing artists here for the first time.”

Several artists who have made their debut at the Latino Cultural Festival have gone on to make a bigger name for themselves in the U.S. Eva Ayllón, for example, one of Peru's enduring Afro-Peruvian stars, made her U.S. debut at QTIP in 2003.

“She got a review in The [New York] Times for her performance here,” Norman said, “and now she is performing at Carnegie Hall in October.”

Simon Diaz, best known for his song “Bambeleo,” made popular by the Gipsy Kings, also got his start in America at the Latino Cultural Festival and has now gone on to receive greater recognition throughout North America.

“Our goal is to present a window to learn and to see the international aspect of Latin culture,” Norman said.

Other acts performing at this year's festival include Venezuelan guitarist Aquiles Báez; the Dominican group Bachata Roja Legends, who were big from the 1960s through the '80s; and Zemog el Gallo Bueno, whose music incorporates an eclectic mix of styles.

The Afro-Colombian group and 2007 Latin Grammy Award winner Los Gaiteros de San Jacinto and Afro-Uruguyan vocalist Rubén Rada also join the roster, presenting a broader scope of Afro-Latin music.

One of the biggest acts this year was Jimmy Sabater, who performed July 26 and is often heralded as the “father of salsa” and a legend from the '60s and '70s New York scene. A contemporary and collaborator with legends Joe Cuba and Tito Puente, Sabater may get more swooning recognition from older audiences, but Norman hopes to revive the old classic salsa style rarely heard in New York clubs anymore by bringing him to the stage, and hopefully igniting younger interest.

“The big band salsa of New York in the '60s has been forgotten, and it's such an important music to New York, and it's so young. It's too young to die. Having the pioneers of this music alive and working hard to keep it alive is crucial,” Norman said.

IF YOU GO:

Latino Cultural Festival

When: Various performances Thursday – Sunday through Aug. 3: see www.yournabe.com/calendar for full listings

Where: Queens Theatre in the Park, Flushing Meadows Corona Park

Cost: Varies

For More: www.queenstheatre.org/08latinofestival for tickets and information